Reuters - McClatchy Co will slash 1,600 jobs, or about 15 percent of its workforce, in one of the more dramatic cuts by a U.S. newspaper publisher as it struggles with plunging advertising sales. Source: Yahoo! News: Entertainment News | 9 Mar 2009 | 12:43 pm
FORMER SOLE "SURVIVOR" AND MILLION DOLLAR GRAND PRIZE WINNER TO MEET WITH HARDCORE LEGEND AND TNA EXECUTIVE SHAREHOLDER MICK FOLEY ON "TNA iMPACT" ... Source: RSS feed - channel BNewsEnter | 9 Mar 2009 | 12:00 pm
SAN FRANCISCO, March 9 /PRNewswire/ -- INgrooves, a leading provider of digital distribution, marketing and promotion services to the independent music community, has named Ben... Source: RSS feed - channel BNewsEnter | 9 Mar 2009 | 12:00 pm
RENO, Nev., March 9 /PRNewswire-FirstCall/ -- International Game Technology (NYSE: IGT) management will present at the Bank of America and Merrill Lynch Consumer Conference on... Source: RSS feed - channel BNewsEnter | 9 Mar 2009 | 11:30 am
General Motors Corp. is ending its 22-year support for Emmy Award-winning documentary filmmaker Ken Burns. GM spokeswoman Kelly Cusinato calls Burns "the gold standard of documentary... Source: RSS feed - channel BNewsEnter | 9 Mar 2009 | 11:23 am
A spokesman for Amy Winehouse says the singer won't perform in the United States next month, as had been planned. Spokesman Chris Goodman said Monday that Winehouse isn't going to the... Source: RSS feed - channel BNewsEnter | 9 Mar 2009 | 11:19 am
Ukrainian singer Anastasia Prikhodko perfoms her song Mama during the Russian qualification contest of Eurovision in Moscow on March 07. Russia's hosting of the Eurovision Song Contest met with fresh controversy... Source: RSS feed - channel BNImagesEnter | 9 Mar 2009 | 11:10 am
Russia's hosting of the Eurovision Song Contest met with fresh controversy on Monday amid criticism that a Ukrainian singing partly in her native tongue is to represent Russia. There was Source: RSS feed - channel BNewsEnter | 9 Mar 2009 | 11:10 am
(Reuters) Reuters - Wearing a pair of slacks and a simple gray pullover, Kirk Douglas strides to center stage with the unmistakable attitude and energy that has marked him as a Hollywood legend for 60 years. Source: Yahoo! News: Entertainment News | 9 Mar 2009 | 7:43 am
Looks like Jeff Probst has learned a thing or two about survival during his nine years snuffing out tiki torches.
At tonight's Academy of Magical Arts Awards ceremony in Hollywood...
Reuters - For some delegates, China's annual meeting of parliament is often as much about making a fashion statement as it is debating affairs of state. Source: Yahoo! News: Fashion News | 9 Mar 2009 | 5:06 am
Reuters - The urge to refer to "Castle" as "Murder, He Wrote" is overwhelming, given the premise of a famous mystery novelist involving himself in crimes similar to those he writes about. Source: Yahoo! News: Entertainment News | 9 Mar 2009 | 5:02 am
Reuters - The urge to refer to "Castle" as "Murder, He Wrote" is overwhelming, given the premise of a famous mystery novelist involving himself in crimes similar to those he writes about. Source: Yahoo! News: Entertainment Reviews | 9 Mar 2009 | 5:02 am
Reuters - It's difficult to fathom a more dangerous and enthralling piece of television than "Breaking Bad," the AMC drama that returned for Season 2 on Sunday. Source: Yahoo! News: Entertainment Reviews | 9 Mar 2009 | 5:01 am
As the dust settles — or the paint fumes disperse — from Armory week, the news is that sales were better than expected and the turnout at most of fairs around town was tremendous, drawing nearly all of the city’s major collectors, curators, even unexpected art lovers like Morgan Freeman and Fran Drescher. But the real surprise is what sold: Nothing slick, nothing mirrored, nothing sparkly, not much photography. People bought art that was cheap (in this crowd, that means limited editions or pieces under $25,000) and art that looked homemade, handmade, self-conscious, or like an echo of childhood. Call it “Arts & Crafts Camp.”
San Diego artist Allison Schulnik’s paintings nailed the trend. She slathers paint like cupcake icing onto her own versions of bad genre paintings — clown portraits, flower vases, black-light tigers. So thick with oil you could smell the paint as you walked into the Pulse art fair, her work is both about painting and making fun of paintings. Art-world pied piper Charles Saatchi is a collector of her work. And at about $5,000 to $25,000, Santa Monica dealer Mark Moore sold so many of them at Pulse that she had to send more from her studio.
The Armory show itself was diminished this year by the pullout of some major participants from previous years, including Matthew Marks, one of the fair’s original founders. But the crowd was large and star-studded; sales were irregular, but expensive when they were made. Works by Anish Kapoor, Wassily Kandinsky and Paul McCarthy changed hands in excess of $200,000.
At the clubby Volta fair, one of the most popular booths was filled with colored yarn for a true “Arts & Crafts” vibe. Visitors rooted through knee-deep piles to find a few $500 gold necklaces placed there by Bangkok artist Surasi Kusolwong. He said his $30,000 installation was a reference to America’s California gold rush, an echo of the economy and was also just meant to draw people in. (It also featured a half-naked girl with yarn braids.) At another booth, artist Alejandro Diaz, the Public Art Fund artist who once decorated the Grand Concourse with giant canned foods, built a chicken coop of wire and wood and hung cardboard signs. One read: “In the future, everyone will be famous for $15.”
Pulse, a lighthearted, catch-as-catch-can mix of emerging artists, was big on installations, video art and crafty work like American flags made of found objects. Also speaking to the relaxed vibe: Michael Scoggins “notebook scribbles” drawings. Freight + Volume sold a couple for $10,000 each. The most popular booth, at least for lounging, might have been cult Miami filmmaker Clifton Childree’s “MiaMuh Swamp Adventure,” a room-sized rotting moviehouse showing Charlie Chaplin-style flicks. (We’re told it’s meant to be some comment on the Florida real-estate market.)
The biggest hit at Bridge, which featured booths from around the world, was a room-size installation of Hungarian artist Andrea Deszo. In something of a cross between a dollhouse and a theater set, the artist recreated a Romanian town with people, stores, a looming vampire, pastries or wedding dresses in the shop windows and, for some reason, bunny-like space creatures working underneath the sidewalk. Celebrating the 20-year anniversary of the fall of communism, the piece is meant to comment on the carving up of Hungary after the World Wars.
Scope by Lincoln Center set a relaxed, stylish tone with an ersatz jazz coffeehouse/art gallery off the main sales floor and beanbag chairs in the video lounge. At the edge of the coffeehouse, there was a roomful of drawings where visitors were handed scissors and invited to snip one off the wall and leave a gift in return. In one inventive break with the norm, every sale of art in the coffeehouse split the proceeds with the artist 70-30, said fair director Alexis Hubshman. The usual dealer math is 50-50.
April 14. Selena Roberts’ A-Rod: The Many Lives of Alex Rodriguez is published by HarperCollins. Countless rumors of the salacious details found within — steroids might be the least of A-Rod’s problems — have been making the rounds for months now. (Clearly, A-Rod is worried — he accused Roberts of “stalking” him during an interview with ESPN. He later apologized.) Eventually, A-Rod will have to release a statement about the book, but it won’t be in the locker room with his teammates, which will be a relief to everyone.
April 16. The first game at the new Yankee Stadium. (Oddly, it’s a day game.) The festivities will start early that morning, with the pomp, the circumstance, the Steinbrenner, the Yogi Berra. It’ll be an epic, historic day in the life of an epic, historic franchise … and Alex Rodriguez will not be there. They’ll sell commemorative coffee-table books about the first game in the new stadium. A-Rod won’t be in them. And there will be no boos.
April 24. The Yankees play their first series of the season at Fenway Park. The Red Sox and their fans were this close to being stuck with A-Rod years ago, before the Yankees “swiped” him, and since then, the fortunes of the two franchises have reversed themselves. Booing A-Rod is popular everywhere, but no one’s better at it than Fenway faithful. It’s unlikely they’ll work themselves into as much of a lather for Cody Ransom.
So, A-Rod will miss the least important month of baseball, a time when he would have been an endless distraction to a team already fed up with him. It couldn’t have worked out better. Are we sure his labrum is actually injured?
The last episode EVER of The L Word! What do we want? Denouement, bitches! When will we get it? Uh … never.
We knew there was no way things would be tied up by the series finale, but we weren't quite prepared for how much would be left hanging. It could have been worse: they could have run us through a flash-forward of every character's life, complete with awful aging makeup, like they did on Six Feet Under. Or, they could have thrown everyone in jail, like they did on Seinfeld. (Hey, wait a minute…)
But like most of the six seasons of The L Word, too much was not enough.
What we do get in this episode, titled "Last Word," because we don't get anything about Jenny's killer: Bette and Tina prepare to move to New York City to begin a new life without the Planet and palm trees. Jenny creates a "tribute" video to the couple, stitching together random characters from years past to say their farewells (well hello again, Carmen). And yeah, Jenny dies somehow at the goodbye party. Then, the gang's brought down to the station house for questioning.
Everybody has a reason to kill Jenny — even, it seems, the yikesy contractor who didn't finish the railing on the upstairs porch. Shane discovers both the undelivered letter from Molly and the lost Lez Girls negatives hidden in Jenny's secret attic. Shane and Tina: Pissed. Bette finds out about Jenny's purported evidence showing her getting down with Kelly. Bette: Pissed. Helena learns that Jenny leaked the details of the Nikki Stevens stakeout to Dylan before it happened, so the test wasn't accurate. Helena: Pissed. Everyone's pissed, but then again, everyone's seemingly too entranced by this goodbye video to notice that Jenny has gone missing (we'll say it again: Hello, Carmen).
The whole thing is fucked from the get-go. In the scenario laid out before us, Bette and Tina are the heart of The L Word and this video is some sort of wake for both them and the show itself. But really, Chaiken and Co. had it right in their fist: Jenny Schecter is The L Word, and the death of her is the death of the show.
Like Jenny, The L Word was, at any given moment, capricious, obnoxious, patronizing, fabulous, fun, sexy, non sequitur, over-reaching, under-reaching, annoying and yes, unforgettable. Not one other character besides Jenny embodied the whole character of the show.
As cliché as it may sound, it would have made a much better ending had the last episode been Jenny's funeral and the tributes made to her, rather than Bette and Tina. Then, this groundbreaking show would have had its proper send-off.
What did the finale get right? Instead of playing that dastardly theme song at the top of the show, they tack a Latin-Klezmerish instrumental version of it to the end as The L Word ladies walk slo-mo, all David LaChapelle-like gorgeous, heading toward the camera as if taking a bow. And you know what? It sounded okay just then.
Neil Strauss, author of The Game and approved biographer of Jenna Jameson, Marilyn Manson, Mötley Crüe, and Dave Navarro, has paired off with fellow rock-star puffer Anthony Bozza (Eminem, Slash, Tommy Lee) to found Igniter, part of HarperCollins' new imprint for the kids, It Books. Given the duo's pedigree, it's not surprising that Bozza uses a music-business analogy to describe the alliance: "It's kind of like an indie record label that has distribution through a major label. We're not employees of Harper. We're not in the building."
The duo have already picked three of their outside-the-box projects (they plan to start with four). First they signed the late Larry Harmon's autobiography, The World According to Bozo the Clown. It may not be the most auspicious debut — "our first author died on us, which put a crimp in our plans," says Strauss. But they're moving forward with it. Then there's the tale of a woman, brought up as a traditional Muslim, who became "the most depraved rock groupie you've ever seen," Strauss says. "She enjoys pushing bands to extremes, like 'Whoa, that's too much for us!'" Also slated is the memoir of a mobster with the timely motto, "We don't kill you anymore, we kill your credit."
What's the governing philosophy? "My thought is two words: be interesting," says Strauss. "We're dealing with [readers] who think a four-minute YouTube video is painfully long. That's not even a chapter. And we're dealing with an industry that has a certain sense of what should and shouldn't be a book, and that sometimes shoots itself in its own foot."
He and Bozza may have a few tell-alls under their belt, but they're after different game. Strauss recently took a meeting with someone "in the news a lot," who said he'd have no problem revealing the unsavory bits of his past — like the fact that he'd hit and killed a pedestrian with a bus. "There was no emotion, there was no remorse, it was just a guy willing to exploit his life to sell a book," says Strauss. "Celebrities are doing just fine on their own," he says. "But who does need us is this woman who's got an amazing piece of writing, and a story that any editor who's seen it is revolted by it. They can't stop talking about it, but they won't publish it."
Like the very athletic groupie. "A lot of publishers feel pretty okay putting out novels like that or [fiction that is] even more revolting," says Bozza. "I think there's something about the fact that it's true that was an issue. Which I never got." Strauss says he tries to edify members of his mailing list by recommending books like Ulysses, Pale Fire, and As I Lay Dying. But he doesn't buy the whole highbrow-lowbrow thing. "I worked for the New York Times," he reminds us. "I've thought about low-culture versus high-culture obligations. People I find that are interesting live in both those worlds. I just think that's where the world is now. Intelligent writing about stupid topics can be a good thing."
If the Starbucks cups were too subtle for you, note the cell phone in hand.
After the largely dark, recession-tinged array of clothes shown during New York Fashion Week, we've been eager to bask in the dramatic, fanciful quirk of Milan's collections — the searing-hot pinks at Dolce & Gabbana, Gucci's polka dots, and the baguette hats and handlebar-mustache dress that only Agatha Ruiz de la Prada could hallucinate. So it dismayed us to discover that the Dsquared2 collection — the same boys currently putting the touring Britney Spears in headdresses and feathered epaulets — looked more like a Walk of Shame than a runway show. Is it possible that the pervasive, sloppy-starlet style we’re most accustomed to seeing in Us Weekly’s "Stars: They’re Just Like Us" section ("They look hung-over!”) actually is crossing over to the catwalks?
For years, we've been baffled by otherwise adorable actresses embracing their inner slobs. Homeless chic made for a brilliant parody in Zoolander, but that movie also theorized that you could brainwash someone into committing murder by playing "Frankie Goes to Hollywood." It was never meant to be taken seriously. When the satire became celebrity street attire, we threw up our hands — and on occasion, our lunches. An untidy aesthetic can be excused when you’re popping out for some groceries, and sometimes, the unpolished thing can be very sexy. But there’s carelessly cute, and then there’s looking like it's been laundry day for the past eighteen months: Mary-Kate famously pioneered ripped hose paired with mountains of heavy layers (and $2,500 shoes). Lindsay Lohan spent the last two years in leggings and unwashed-looking concert tees. And despite Blair Waldorf’s testimony that tights are not pants, Mischa Barton actually did treat a mangy old pair of brown hosiery as if they were real trousers. Grunge was one thing; what these girls did seemed more like grime.
Which is why it’s alarming to see the ensembles celebrities wear for morning-after coffee runs actually appear, in some form, on the allegedly sophisticated European catwalks — in Dsquared2's case, complete with real Starbucks cups, in case the point had not been made finely enough. It felt like a derivative cocktail of Olsen, Barton, and Nicole Richie, with a dash of Miss Sixty and an assist from Katie Holmes's pegged boyfriend jeans.
We hope this is merely an artistic statement on how our collective economic woes may make us all a tiny bit less self-obsessed. Because if Mary-Kate Olsen's castoffs are hot for fall, then by spring 2010, there may be nowhere left to go but Pam Anderson–style track pants, tank tops, and Ugg boots. At a time when we're seriously considering stuffing all our money under a floorboard, fashion should be our escape. Who wants to bankrupt herself in order to look ….well, bankrupt?
Somewhere, there’s a cornerstone for Moynihan Station. I’m not reaching for a metaphor: There is literally a hunk of marble, engraved with the names of politicians, ready to go. It was carved back in 2000 in anticipation of a ceremony declaring the start of construction to transform the grand old Farley post office on Eighth Avenue into a railroad showpiece called Moynihan Station in honor of the New York senator who’d had the brilliant idea in 1992. The ceremony never took place, of course; the station has never been built; thousands of people are instead still condemned to commute through cruddy Penn Station.
But here’s the metaphor, or the bad joke, that epitomizes the entire ridiculous, complicated saga: The cornerstone is lost. No one knows where it is.
It would be wildly premature to hire another stonecutter, but there is new hope that Moynihan Station will get underway. Senator Chuck Schumer, with the help of the recession, has reframed the project along its original lines: Creating a new transportation hub instead of redeveloping a vast stretch of Midtown West all at once by moving Madison Square Garden to Ninth Avenue, as private developers Vornado and Related Companies intended to do when they won bidding rights four years ago. “Vornado and Related can’t get financing for the larger project right now, and they don’t know where they’re putting the buildings,” a government official says. “Dealing with trying to move Madison Square Garden is an intractable mess, and ESDC [New York State’s development agency] is not capable of running such a project. So this simplifies things by putting the Port Authority in charge and making transportation the central part of the project again.”
Schumer has also come up with a plan to use $100 million in federal stimulus money to jump-start the project. The money helps (though only a little, with construction costs estimated to be more than $1 billion), but money has always been only a part of the puzzle. The project has a surplus of competing stakeholders — the city, the state, New Jersey, the private developers, the Postal Service, Amtrak, and for a while, Madison Square Garden, until the Dolans decided to stay put and renovate — but it has never had a leader with the power and focus to push everyone forward. Schumer needs to follow through by wrangling federal funding and beating the drum for a deal, but he wasn’t nominating himself for Moynihan Station czar. He has a few other things going on in Washington. Which means that the next move is up to Mayor Michael Bloomberg.
The mayor played a pivotal role in ending the paralysis at another state-owned city site: the World Trade Center. After four years of frustration at the lack of action, Bloomberg helped end the stalemate by raising $350 million for the September 11 memorial and leveraging city bonds. Those tools don’t exist at Moynihan Station, and Bloomberg smartly avoids getting involved in issues where he can’t exert substantial control; he also has daunting budget problems of his own. “We’re very supportive of Senator Schumer’s idea, and $100 million is a great start,” a City Hall official says, warily. “But it’s still a complicated and expensive project, and the devil is in the details of how the other pieces would come together.”
So Moynihan Station would be tougher, in some ways, than the World Trade Center. There are plenty of rational reasons for it to stay stalled. Yet Bloomberg is the one person who could put the political dominoes in motion. David Paterson is hapless at economic development, and Jon Corzine doesn’t see enough benefit to New Jersey, so the governors — and the Port Authority they control, which would operate the new station — aren’t likely to act until Bloomberg and the city are aggressively behind the project. Amtrak, which would move from Penn to Moynihan, won’t commit until all three elected officials are onboard. “Amtrak is the trickiest part,” one Moynihan negotiation veteran says. “If it sees even a crack of daylight between the mayor, the governors, and the Port Authority, they’ll drive an Acela right through it and kill this chance.”
Fortunately, Bloomberg is a man who thinks big. The mayor has repeatedly proven his desire to push megaprojects — though he's been frustrated by the failure of some of the mega-est, including the West Side Stadium and Atlantic Yards. Here's his chance to push a project both huge and with indisputable merit to the public at large, while at the same time serving his own self-interest. Because even though Moynihan Station is legally the property of New York State, emotionally it’s owned by the city. If this thing finally happens, Schumer’s name should be in large letters on the new cornerstone. But Bloomberg would get credit from the city’s voters this fall, and he’d be on the fast track to a third-term legacy.
A while back, in anticipation of our "Best of New York" issue, we asked you to tell us what your personal favorites were. We asked for your recommendations for best bar, pizza, clothing shop, burger, bagel, bakery, and place to take an out-of-town guest, and you responded in droves. Here are the results.
Believe it or not, some unflappable movie pirate this weekend was able to get a shot of Doctor Manhattan's "massiveand uncircumcised" penis in Watchmen without dropping his camcorder. After the jump, see the full, uncensored picture of Billy Crudup's blue, computer-generated wang. NSFW, obviously!
She didn't win the guy, but The Bachelor's Melissa Rycroft might be in line to win the coveted disco ball trophy.
A source has confirmed to E! News that Rycroft, 25, who...
Front Page: Leaders explore ways to end stalemate -- Leaders of the Screen Actors Guild have signaled they’re exploring ways to end the stalemate with the congloms over the guild’s feature-primetime deal.
March 13 marks the one-year anniversary of Eliot Spitzer's prostitution-prompted resignation; today, he says he's glad to be much more focused on his family. We spoke to Kristin Davis, the Manhattan madam who once called Spitzer a client.
"Eliot Spitzer was a client of ours for years. By and large, he liked slender but busty girls; he preferred a collegiate with a C cup. He used us consistently in 2005 and 2006, a couple times a week. If he was with someone he really liked, he would see her until that relationship would end, and he would move onto somebody else. He was a very good regular client, but there were many complaints. The girls referred to him as aggressive and pushy. I blacklisted Spitzer in 2006. He found us again in 2007.
"Spitzer came to our apartments or the girl's apartment. For special clients like him, depending on my mood at the time, I would let them use a converted room in my apartment. Spitzer once said, 'Don't you have any place nicer? More private?' So I let him come to my apartment many times. Sometimes I was in my bedroom next door while he was with a girl. Spitzer would come out afterwards and say good-bye; we'd talk.
"He was usually never with a girl for more than three hours. He was one of the clients that I based more on girl quality than what he could pay. He used us so much he was very aware of how the agency worked. We were both very up-front; he'd tell me, 'look, this is what I want.' We charged him at least $800 per hour, on average $1,100. He was always picky. And more when he used my apartment — we would up his price here and there as an inconvenience fee to me.
"I interviewed Ashley Dupré once, but I didn't hire her. I had a girl that looked very similar to her, and I didn't want to take away the business from that girl. And Ashley wanted to go out with a much higher rate than I could get for her at that time."
So, when an R-rated comic book movie that runs more than two-and-a-half hours and stars no stars, much less Batman or Spider-Man, opens with an estimated $55.7 million, that's good,...
(Fashion Wire Daily)
Fashion Wire Daily - A futurist princess landed in Karl Lagerfeld's show in Paris Sunday, March 8.
Front Page: Battle could be brewing for control over studio -- An all-out battle for control of Lionsgate appears to be brewing. Carl Icahn, who has rapidly boosted his stake in the company to 14.5% during the economic crisis, is in talks with the company that could see the activist investor end up with several seats on Lionsgate’s board.
Bono visits "Late Show with David Letterman" at the Ed Sullivan Theater on March 2, 2009 in New York City. Veteran Irish rock group U2 went straight to the top of Britain's album chart with "No Line On... Source: RSS feed - channel BNImagesEnter | 8 Mar 2009 | 8:10 pm
Reuters - Models in black fetish dresses showered banknotes over the catwalk at Jean-Paul Gaultier, while Christian Lacroix opted for baroque gold dresses and big fur collars as Paris fashion dared to be decadent. Source: Yahoo! News: Fashion News | 8 Mar 2009 | 8:08 pm
Front Page: USA spy thriller hits series high -- USA Network spy thriller "Burn Notice" is now the hottest show on cable. The skein finished its second season Thursday with two series highs: 6.1 million total viewers and 2.7 million adults 18-49.
After all the anticipation and hubbub, the weekend is coming to an end and the box office results are here: "Watchmen" (No. 1) grossed $55.7 million during its first frame, according to early estimates from Media by Numbers.
Front Page: Show enjoys most-watched season yet -- Last year's presidential election was a boon for cable news networks, but it also proved to be quite a windfall for daytime's hottest show -- "The View." Talker is enjoying easily its most-watched season to date: Its average aud of 4.2 million viewers is well ahead of last year's 3.5 million.
While Chris Brown is spending late nights in the recording studio, girlfriend Rihanna is also focusing on new music, one month after being brutally attacked by her longtime love.
Her...
Front Page: Comicbook pic takes in $27.5 million overseas -- "Watchmen" dominated the foreign box office with a respectable rather than blockbuster opening weekend of $27.5 million at 5,097 in 45 territories -- less than half the domestic launch.
You wouldn't like him when he's angry...or maybe you would.
Dwayne Johnson, aka The Rock, offered up a nifty Barack Obama impersonation on Saturday Night Live this weekend. In a...
Fashion Wire Daily - Paris runways are full of disturbed women this season. Haider Ackermann opened with mad mode in a sensationally well cut and composed collection Saturday, March 7.
Britney Spears knows everybody loves a circus.
The 27-year-old pop star, who's currently on her Circus world tour, is donating $100,000 to the Miami Children's...
Fashion Wire Daily - This weekend's big catwalk debut was Stuart Vevers Cafe Society fall 2009 collection for Loewe, staged in a somewhat eccentric triple header in a cut stone hall of academia near the Odeon in Paris Saturday, March 7.
Here's one recording Chris Brown won't mind sharing with the public.
E! News has learned that Brown is hard at work on a new album while in Los Angeles.
The...
They say any publicity is good publicity. But at this point, Octomom Nadya Suleman may be thinking any publicist is a good publicist. That's because she just had a second one quit on her,...
Kim, Kourtney and Khloe Kardashian say they rented a chimpanzee for a week on the third season of Keeping up with the Kardashians (debuting this Sunday) because mom Kris has babies on the brain....
Front Page: Martin Lawrence, Tracy Morgan to star -- Screen Gems and Sidney Kimmel Entertainment have assembled their cast for the Chris Rock starrer “Death at a Funeral,” with Martin Lawrence and Tracy Morgan signing on to star alongside Rock in the Neil LaBute-directed comedy.
Shades of Dirk Diggler, Billy Crudup goes prosthetic for his full-frontal star turn in The Watchmen. OK, the box office wasn't quite as large as hoped, and Crudup's sidestepping another...
Front Page: Zack Snyder's superhero pic wins box office -- Warner Bros.' edgy superhero pic "Watchmen" grossed an estimated $55.7 million from 3,611 theaters in its domestic B.O. debut, coming in lower than expected but still scoring the best opening of the year and one of the best showings ever for an R-rated film.