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Photo: Getty Images
Lindsay Lohan's 35-year-old pal Jeremy Geffen (no relation to David) was arrested for allegedly assaulting two 16-year-old girls. Will Smith, Jada Pinkett, and Kimora Lee Simmons all deny Radar magazine's claim that they are active Scientologists. Halle Berry spent $600,000 outfitting nurseries for her baby in three different homes. Brandon Davis was thrown out of Lauren Conrad's fashion show at an L.A. club for "screaming and yelling and waving around a bag of white powder." Twenty-three-year-old Meghan McCain hates being hit on by investment bankers but likes swearing, guys with tattoos, and Bud Light. British Food Network chef Nigella Lawson has supposedly gained so much weight that the director won't show her from the waist down anymore. Gnarls Barkley single "Run" was banned from MTV for causing epileptic seizures. David Lauren and MSNBC's Dan Abrams hung out in Atlantic City together. Project Runway winner Christian Siriano has become really popular in Hollywood. Rudy Giuliani shopped for opera CDs. Liz Smith thinks former sex prosecutor Linda Farstein's latest book is her best yet.

Photo: Getty Images
Most shocking of all, though, is White's unprecedented decision to actually share some of the profits with a record company (especially in light of Trent Reznor's $1.6 million payday last week). According to message-board rumors, he walked into the Warner Bros. offices last Tuesday with the completed album and demanded that they release it by March 25. We'd imagine that the decimated staff at Warner felt nervous, at first, about releasing a record so quickly (since, even in their heyday, it took them six months to get a marketing plan together), but then, eventually, grateful that Jack didn't just release the damn thing on the Internet and keep all the money for himself. (If that NIN double album of synthesizer instrumentals was worth $1.6 million, it's probably reasonable to assume that any album with some singing on it will probably make at least $8 million.)
In an e-mail sent to fans, the Raconteurs explain that the motivation behind the speedy release was "to get this record to fans, the press, radio, etc., all at the EXACT SAME TIME so that no one has an upper hand on anyone else regarding it's [sic] availability, reception or perception." Really, though, if the album is being manufactured and shipped to record stores right now, we're pretty sure it'll leak on the Internet in the next day or so — if it's a stinker, expect us to tell you before the weekend. Plus, Maxim reviewed it last month (2 1/2 stars).
The Raconteurs [Official site]

Photo: Getty Images
• Because Lehman learned a ton from a similar crisis in 1998, after a panic over Russian debt, and returned stronger.
• As a result, they have a much higher level of liquidity this time around. Like, $35 billion in cash and liquid assets, on top of $160 billion in "unencumbered" assets, so it can borrow more.
• The Fed's move to cut the interest rate on direct loans to banks over the weekend already had a visible effect yesterday on Lehman's stock — while at some points yesterday it was down as much as 40 percent, its closing price was down only 19 percent from last week.
• And the Fed is expected to lower rates again. Fuld says this, combined with the weekend cut, is going to take "the liquidity issue for the entire industry off the table."
• In fact, today's financial reports from Lehman are better than expected. As a result, the stock gained more than 12 percent in pre-market trading today.
EVENTS
• Thinking about next fall already? Preview the Michael Kors fall 2008 collection on the second floor of Saks today. Saks Fifth Avenue, 611 Fifth Ave., at 50th St., second fl. (212-753-4000).
SALES
STARTING TODAY
• Lauren Merkin's raffia totes (now $175), silk-lamé clutches (now $80), and other cute bags in every swatch imaginable are marked down by 40 to 70 percent. Through 3/20. 231 W. 29th St., nr. Seventh Ave., Ste. 201 (212-239-2459); 3/18–3/20 (11–7).
• Boutique on 57 offers shoes, dresses, and accessories by Chanel, Valentino, Gucci, and more for up to 70 percent off at this private sample sale. Score handbags from Yves Saint Laurent and Dolce & Gabbana. Shoes are $125 (down from $680), and dresses are $750 (originally $5,500). Through 3/19. Regency Hotel, 540 Park Ave., at 61st St., penthouse suite (917-940-9934); 10–7.
• Comfy intimates are 25 percent off at Gap’s Semi-Annual Bra Event. Sports bras are $15, and the lacy T-shirt bra is now $20 (was $36). Online exclusive.
• Henri Bendel’s silk sweaters are at least 25 percent off. Long-sleeved crews are $89 (originally $118), and cardigans are $179 (originally $238). Sweaters come in ten colors and seven styles. 712 Fifth Ave., nr. 56th St.; 212-247-1100; Mon.–Sat. (10–8); Sun. (noon–7).
ENDING TODAY
• Travel goodies from Flight 001 are an extra 20 percent off in their online Final Boarding sale. A Paul Smith wallet is now $80 (was $225), and a Robot Laptop Bag is only $64 (originally $120). Just enter the code DeepSale08 at checkout.
STARTING TOMORROW
• The once-a-year Hermès of Paris sample sale starts tomorrow. Both men’s and women’s collections will be marked down. Through 3/22. Metropolitan Pavilion, 123 W. 18th St. nr. Sixth Ave., fourth fl.; Wed. (10–6), Thurs. (10–8), Fri. and Sat. (10–6).

Photo: Getty Images, Courtesy of Ace Books
Berg Climbs Dune: Peter Berg will be the next director to fail to bring the grandeur of Frank Herbert's Dune to the screen, following David Lynch and whoever the hell directed that Sci Fi Channel mini-series. Producer Kevin Misher and Paramount believe that novel's twin themes of ecological peril and expensive special effects will be especially appealing to contemporary audiences. [Variety]
WB Sees With Nolent's Eye: Warner Bros. has yoinked the rights to Alexis Nolent's sci-fi graphic novel, Cyclops, with an eye for James Mangold (3:10 to Yuma) to direct. Comic is set in the near future, where mercenary soldiers wear helmet cameras and broadcast their actions on live TV. As for casting, James Marsden doesn't care what it's about — he's definitely interested. [Variety]
Bloom Drops Out of School: Orlando Bloom has pulled out of Lone Scherfig 's An Education on the first day of shooting. Replacing him in the Nick Hornby–penned project is Dominic Cooper, best known for, um, replacing Orlando Bloom in Lone Scherfig's An Education. Oh! And he was the sexy one in The History Boys. [HR]
Hines Speaks the Truth: Larry David's fake wife, Cheryl Hines, has joined the cast of Lakeshore's The Ugly Truth. Reuniting the team behind Legally Blonde, pic tells the story of a romantically challenged news anchor (Katherine Heigl) who goes through a series of "outrageous tests" to find love. Hines will play Heigl's self-possessed co-anchor and promises to do a good job to make up for RV. [Variety]
Coolidge Rides the Bronco: Jennifer Coolidge will join the already stellar cast of Sam Rockwell, Jemaine Clement, and Michael "Sky High" Angarano in Jared Hess's Gentleman Broncos. Coolidge will play the mother of a high-school nerd whose story gets ripped off by a legendary fantasy novelist. [HR]
Hatem and Fineman Wreck CW: Richard Hatem (Miracles) and Ross Fineman got a greenlight for their Wrecking Ball pilot at the CW. Story centers on a young male politico who, after his campaign is derailed by scandal, opens a law firm with his female assistant. A romantic tension brews between them as they help out desperate legal causes like "a cancer patient against the medical establishment," or a smoker against big tobacco, or Eliot Spitzer. [Variety]
![]() Vancouver Sun | Barbara Walters, Israeli film get gay media awards Reuters - NEW YORK (Reuters) - Television journalist Barbara Walters was honored by the gay media watchdog group GLAAD on Monday for her reporting on transgender children and she said the award was among the most important she had even received. Bravo to Air GLAAD Awards Beebo and Bash'd Win GLAAD Media Awards |
![]() KCBY.com 11 | Box Office Analysis, Mar. 17: 'Horton Hears a Who' Breaks Out with ... New York Post - Big elephant ears and all, Horton Hears a Who dominated the North American box office this weekend with a $45.1 million debut, the best opening so far this year. You hear that 'Horton'? You're No. 1 ‘Horton’ Earns Box-Office Success |
In the end, beyond a general notion of the preppy staples that have been replicated by everyone from Ralph Lauren to the latest designer-of-the-hour since Buckley's Millbrook days, it's hard to remember exactly what he wore during his many years in the public eye. Which was precisely the point.
Answer Rosie here (form in top right corner) if you can help her! Because bathing is, indeed, important.
In the first scenario presented to Diller above, "Structure A," his shares would be guaranteed at their then value of $40.58, but Diller could never realize a price increase to beyond $44.64 per share.
Sure enough, in the year after entering in to the "complex series of transactions," IAC shares declined 50 percent, while Diller was protected, at least according to the leaker who provided the document.
Government or company regulations may have prevented Diller from outright selling his shares at the time, but even if they hadn't, announcing a "pre-arranged stock trading plan" in a press release sounds so much better than disclosing in an SEC filing that you are dumping a bunch of shares, as illustrated by the sample press release included in JP Morgan's presentation to Diller. Here's the top of one:
Miley Cyrus apparently had enough to do keeping two names straight, let alone three.
The "Hannah Montana" star, who was born Destiny Hope Cyrus, is looking to make Miley Ray Cyrus--basically,...
Evangeline Lilly may spend a lot of screen time in need of a shower, but Coty is still betting women are going to want to smell just like her.
Coty Prestige has tapped the Lost star to be...
Photo: Getty Images
Gov. Paterson admits to sex with other woman for years [NYDN]
Sean "Diddy" Combs is "shocked."
The hip-hop mogul issued a pointed statement Monday denying the details in a web-exclusive Los Angeles Times report tying him, via interviews...He slept with the other woman regularly at a Days Inn on the Upper West Side, and took his wife to the same hotel when they were trying to rekindle their marriage. Romantic! (It is unclear whether anyone got one of those free Denny's breakfasts the hotel chain used to offer.) The Daily News has apparently been interviewing the Patersons for a few days now, after rumors about his sex life prompted the governor to open up. [Daily News]

Photo: WireImage
2. Will Ferrell and Dave Grohl, "Leather and Lace"
As Ferrell caresses Grohl's face during this performance from a recent 826LA benefit, Grohl breaks character and tells him, "You're fucking me up, Will," which proves that as a couple they have better communication than Henley and Nicks ever did. [Fuel Friends]
3. Teriyaki Boyz, "Zock On!"
Japan's best rap act returns with a track featuring an arcade-game beat from the best production team named after a planet (the Neptunes) and a guest spot from best rapper named Busta Rhymes. [First Up]
4. Kevin Barnes, "Shakedown Street"
Of Montreal's front man catches Austin's hippie vibe and covers the Grateful Dead for a solo set at SXSW. [Lullabyes]
5. Mystery Jets and Natty, "One (Blake's Got a New Face)" (Vampire Weekend cover)
Mystery Jets and Natty team up to do a version of the VW track. Is this a backlash to the backlash, or have they still not heard about the original backlash? [Turn the Page]
6. Mavado feat. Jay-Z, "I'm on the Rock (remix)"
Mavado sings about how the Jamaican security forces busted up his birthday party with armed attacks squads in helicopters. [Analog Giant]
—Ehren Gresehover
Sam Lutfi wants out of the increasingly harsh limelight for awhile.
A court commissioner signed off Monday on the agreement his camp brokered last week with Britney Spears' family to...
Lindsay Lohan is scrambling to clear her schedule so she can get to a Long Island hospital where her paternal grandfather is losing a battle with cancer, E! News has learned.
"He's...
Photo: Getty Images
Since you already had an established label, what did you hope to gain from Project Runway?
I think every major fashion company or label has a publicist, and I think this was a way to gain more publicity and have more people know about the work. It’s not in a lot of stores — maybe a maximum three stores per city that we sell in. And also, maybe give a little bit of background so people could learn about the work.
Were you surprised by the final outcome?
Not really. I feel like they really liked my collection.
Were you surprised they chose such a young designer as the winner?
I think Victoria Beckham definitely helped in that case.
What do you think of Christian Siriano's quick success after the show?
Quite frankly I have not followed up with what he’s been doing. I’m really just focused on my own line and my own projects. But I’m glad that he’s doing so well. That’s excellent, I’m happy for him.
So you haven't read about Christian's success at all?
I haven’t had the time. It’s really been a very intense period. So I haven’t even really had the time besides checking my endless amounts of e-mails.
You're very prompt with those. Do you check them all personally?
So many e-mails come in. I actually go through almost all of them.
Do people write to say you should've won?
On MySpace they do, actually. It’s nice, but it’s done, it’s cool. It’s time to move on to new chapters and keep working on my line.
What's your ultimate career goal?
I'd like to continue my line with total backing. I am a self-financing designer. I'd like to have the line in high-end department stores. I would like to launch an eveningwear line that’s more for red carpet and things like that. I'd like to be able to produce a lot more. And I’m open to designing for a very high-end label that I believe in, that I can contribute my vision to. As long as I can continue my own line.
What's your dream label to design for?
I can’t even answer that. It all would depend. I love a lot of the big labels. I love Oscar de la Renta, I love Donna Karan. I mean, I’m open to opportunities. But meanwhile I have my business, I have my line.
Related: Rami From ‘Project Runway’ to Sell at Intermix

Photo: Everett Bogue
You’ve been photographing for decades, but never dancers. Why this, now?
I was experimenting. I wanted to really take certain moments that the audience during the performance may not necessarily appreciate, maybe some emotional moments, some romantic moments that I see, and sometimes I feel the audience doesn’t. I know that sometimes they feel, “He [Merce] is so formal and so detached and not emotional,” but I think it’s actually quite the opposite. That’s what I was trying to show in my work.
Why had you never focused on dance photography before?
I never liked dance photography; it’s very flat, and dance photography in the studio looks very contrived. Very few photographers really know how to … it’s just a page in the book. It was not that I hated it, but I didn’t feel it was necessary compared with the real thing. But there were a few photographers — Brodovitch, Himmel, Ilse Bing, Irving Penn — who made me feel it was possible. I wanted the audience to see, to be able to imagine, the movement before and after, not just the frozen moment.
So was it strange to now see dance from the photographer’s perspective?
I was just worried that I was a distraction for the dancers! But since I was always there two hours before the premiere, they were nervous anyway.
Your friendship with Merce is a long-standing one — do you relate to his choreographic style especially well?
When I arrived in this country almost 35 years ago, I started slowly to see … it took me a few years to get hooked! Some things for me, being a classical dancer at that time, were oddly familiar but also kind of far. But then I understood more and more the way he works and challenges his imagination and his dancers, and I became a Merce junkie. And of course I’ve had the luck and privilege to work with him and dance in his pieces and dance with him together, and I’m a big fan of his. I’m very honored to be his friend. I really admire him with all my heart.
So do you feel he really opened the window to modern dance for you?
Yes, yes. Though this is not really modern dance — it is in history books that are not written yet, because it is so far ahead of its time — much more than even George Balanchine. This is art that transfigures our present time into the future.
You’ve moved far beyond dance in recent years…
I’ve always rejected the notion that I’m just a dancer. I was always interested in photography and other forms of art. First of all it takes your mind from the kind of annoying moments in your professional life and opens different ones, and then you come back and through this I actually understand my own work in much more detail. You know, maybe it’s a bit too late in my career [laughs]. I wish I could start this again. It would have been something different.
Really? Would you do something other than ballet if you were starting over?
Absolutely. I don’t know, maybe I wouldn’t dance at all.

Photo: Everett Bogue
[At this point, who should roll into the gallery but Merce Cunningham himself! The 88-year-old choreographic legend did us the honor of having a brief chat as he surveyed the photos.]
So what do you think?
It’s great! One person is almost static, and the other one is moving. The static position of the body we know, but the moving position is different — it looks as if you got bigger. You see a kind of blur, and on top it’s the head moving! It’s like double, triple images. And in this one, there’s an arm that looks like a bird — it has feathers, and wings at the end of it!
What do you especially like about Misha’s work?
He has a great interest in what’s happening now, and this kind of work would not be possible without that which wasn’t around, let’s say, a few weeks ago. I saw him in the Beckett plays, and particularly in the first one, he was wonderful. It was quite striking.
And are you seeing your own work in a new way?
It’ such a different way of thinking about photographing; ordinarily it’s more static. It’s a great difference from dance photographs twenty years ago, which were just a picture. If you wanted to capture jumping, it was recorded in that position — and if it was a marvelous jump, everyone wondered how you got there! Here you see the movement — that’s something he sees.
Was it strange knowing throughout this project that Baryshnikov was constantly watching your work?
We would rehearse, and he came with his camera and stood quite close to the stage, and because he has a dancer’s eye, he knew where to look or move. You could see, he would hold the camera still, and then he’d move it, so he caught both things. I had no idea what these would look like, but it was fascinating to watch. He was like a sprite moving around in front of the stage. —Rebecca Milzoff

Photo: Rafael Lett/Courtesy of Steadfast Associates
Doreen Remen, co-founder of the Art Production Fund and one of the event’s producers played down the tussle to New York: “It was just two guys, and they were asked to leave,” she said. "It all happened very fast.” But Obinna Izeogu, an art director who attended the party, described the scene as a “mini-riot," in which blows were traded for more than fifteen minutes as more partygoers joined in the fray that continued to swell even after D.J.'s killed the tunes (and Snow's vision of infinite dance). “It started off like two and then it just became a rumble,” said Izeogu. Armory security staff, unprompted, dialed 911 for reinforcements, and officers who responded called it “that gigantic fight”.
“It was mostly a young skate-inspired crew,” said Izeogu, “but then everyone got involved.”
Attendees, including members of ThreeAsFour and Dash Snow, some of whom had committed earlier to spending hours on the dance floor, tried valiantly to keep going, dancing even as the lights bumped up and organizers decided to cut the music.
It was only when officers from the nineteenth precinct entered the scene that everyone got the picture. As Yvonne Force Villareal, clad in a black jumpsuit, shooed people outside, the fight spilled into the street, where there were reports of men thwacking each other with skateboards. An ambulance arrived, presumably for the man still lying prostrate on the dance floor. (“I heard this punch, this crack, you knew his face just caved,” said Izeogu.) As the cops drove away, the real crisis of the night became apparent: More than a hundred distraught hipsters found themselves released in the unfamiliar grounds of the Upper East Side. “Everyone was just befuddled,” said Mackenzie. “Everyone wanted to keep partying.”
Although the police have not yet released details, Officer Tran from the nineteenth precinct said that at least three arrests were made, and two individuals are in custody. —Sarah Maslin Nir

Evangeline Lilly smells like your eighth-grade
boyfriend.Photo: FilmMagic
HAIR
• Beach hair doesn't just come from the beach. It also comes in a can. Alterna’s Caviar Anti-Aging beach hairspray is made with natural ocean water and promises that just ocean-dipped look. Mmm, salty! [Teen Vogue]
MAKEUP
• The spatula-like applicator of Thierry Mugler’s Plexi Gloss ($40) is turning heads, but its holographic shiny pink shade will, too. [Beauty Blogging Junkie]

Photo: Getty Images
I am now, also, the newly crowded King of Meta. That's right. I am your new lord sovereign of buried, latent, subtextual argument. I dragged it past sarcasm, past cynicism, and all the way to balls-out snide. Crown me up and kneel, ya bitches.
The real story of the journalism subplot this season was not the fabulist, or the cutbacks, or the Pulitzer, or poor saintly Gus Haynes. It was the fact that in the midst of all this, the Baltimore Sun didn't report on all the real stories of Baltimore. And everyone missed it, Simon scolds.
Leaving aside the question of whether this is overkill — it is! But intentionally so — we'd like to point out for the record that a lot of people did discuss this plot point; they gave it about as much attention as its prominence in the plot of this final season occasioned. From our final analysis of the show's place in the pantheon, for example:
But what is [Simon] saying about the cost of lies? Surely the lies that matter to our cities, and to our newspapers, are not the BIG ones, like made-up serial killers. The ones that matter are the small ones, the ones that previous seasons of The Wire exposed so clearly. That's why I thought that some of the most effective scenes in this season involved not the Jayson Blair–esque story line, but instead the moments when we saw news we knew to be earthshaking — the deaths of Prop Joe and Omar — relegated to "Metro" briefs or cut completely from the Sun's coverage.
But those moments, in this season of The Wire, were few and far between. David Simon's yelling loudly at reporters for missing the things that weren't happening on his show is only a half-step above yelling at reporters for missing what the show had to say about the death of the Baltimore Orioles. Simon's point was in there, but it was mostly there by omission, and one of the failures of this season was that it didn't find a way to effectively dramatize this story line in a way that made that point pop. We don't know that blaming your audience for not caring enough about good journalism is the best way to respond to criticism.
The Wire's Final Season and the Story Everyone Missed [HuffPo]
Bushwick: Teens here are flipping the bird to military recruiters, instead embracing Che Guevara and Cesar Chavez at their own social-justice high school. [Indypendent]
East Village: Is the end near for that infamous phone booth on Avenue A where "thousands of heroin orders have been placed"? [Neither More Nor Less]
Flatbush: The city wants to refurbish the grand but fading 1929 Loew's Kings Theater, where Brooklyn beep Marty Markowitz got his first kiss. Sexy imagery like that should help accelerate the project. [Real Deal via Ditmas Park Blog]
Gramercy: "Barely Breathing"/Spring Awakening composer Duncan Sheik is looking to move here, putting his massive Soho live-work loft on the market for $2.85 million and relocating his studio space upstate. [NYT]
Midtown: Does Bear Stearns actually own its acclaimed 2001 Skidmore Owings Merrill building, which appears to be worth far more than the bargain-basement $236 million that JPMorgan just paid for Bear? [DealBreaker]
Riverdale: High-school students here are quietly enduring the unremitting boredom of a cultural-exchange program with kids from Maine. [Talk Bronx]
Turtle Bay: Linda Stasi thinks that "animals" putting up massive buildings are ruining this once-classy, synonymous-with-Hepburn hood. [NYP]
Today in Diffusion News, Botkier will partner with Target for a limited-edition handbag collection:
MINNEAPOLIS (March 2008) Target is partnering with renowned accessories designer Monica Botkier to launch a limited-edition handbag collection, Botkier for Target. This collection is the fifth handbag launch in a series of limited-time-only accessories designers at Target. The Botkier for Target collection will be available at select Target stores nationwide and at Target.com July 21 through Sept. 14, 2008.
Not much of a window there — we suspect the girls on Atlantic Avenue will get a little grabby.

Paris Hilton, inspiration.Photo: Getty Images
Models took a stroll down the red carpet, pouting and blowing kisses as they posed for photographers at the edge of the runway. One model clutched a crystal ball, another a half-filled glass of wine while a third cradled a doll.…[T]he Indian designers said they were just having a bit of fun at Hilton's expense and not condemning celebrity socialites.
"They are here to celebrate dressing up. They want to enjoy life and we just want to enjoy with them as well," [designer Paras] Bairoliya said.
It's nice to see a fashion show have a little fun with the notion of celebrity, isn't it? Meanwhile, the real Paris Hilton is currently working on a reality show for MTV, in which twenty guys and gals will compete to be her "best friend forever." Which makes India look even better.
'Dandy' Paris Hilton inspires India fashion week [Reuters]
Kevin Federline's attorney is the latest addition to the Britney Spears payroll.
Court Commissioner Scott Gordon on Monday ordered the embattled pop star to give her ex $375,000 to cover...
Well, Amanda Overmyer's hair is about as big as Sanjaya's...
The comparison between the hard-rocking nurse and the most infamous "American Idol" contestant ever would end there,...If you're trying to figure out where to throw your Molotov cocktails, David Rothkopf's book proves you've got your work cut out for you. The businessman and former Clinton official spent years crunching numbers and trailing the 6,000 or so "power elite" who make most of the decisions about how the planet works. Neither a gossipfest nor an anarchist call to arms, this measured book demonstrates the way these elite businessmen anonymously influence politicians and dictators, and take advantage of international chaos to advance their own interests.
Superclass: The Global Power Elite and the World They Are Making
David Rothkopf
Farrar Straus & Giroux
Out Mar. 18
$26


Courtesy of Scribner
So how dirty is it, really?
It is really, really, really, really dirty. Like a Penthouse Forum letter, except in lively verse, and with no women. It's sort of great, and also sort of cheesy and awful, and also occasionally hilarious. ("'Shall I rim you?' I whispered. He shifted his limbs in assent.") We feel compelled to reprint the entire thing, just because we never had any idea that W.H. Auden wrote an unbelievably filthy poem about an anonymous blow job.
According to the editor's note, Auden wrote the poem in 1948, and copies were circulated among friends and fans for years, before Ed Sanders (of the Fugs) printed an unauthorized version in 1965. Auden publicly denied authorship, which is why we can reprint this without permission and with impunity (as does the anthology, which doesn't include Auden's poem on its copyright page). Enjoy!
Hot or Not [NYTBR]
The Platonic Blow
W. H. AudenIt was a spring day, a day for a lay, when the air
Smelled like a locker-room, a day to blow or get blown;
Returning from lunch I turned my corner and there
On a near-by stoop I saw him standing alone.I glanced as I advanced. The clean white T-shirt outlined
A forceful torso, the light-blue denims divulged
Much. I observed the snug curves where they hugged the behind,
I watched the crotch where the cloth intriguingly bulged.Our eyes met. I felt sick. My knees turned weak.
I couldn't move. I didn't know what to say.
In a blur I heard words, myself like a stranger speak
"Will you come to my room?" Then a husky voice, "O.K."I produced some beer and we talked. Like a little boy
He told me his story. Present address: next door.
Half Polish, half Irish. The youngest. From Illinois.
Profession: mechanic. Name: Bud. Age: twenty-four.He put down his glass and stretched his bare arms along
The back of my sofa. The afternoon sunlight struck
The blond hairs on the wrist near my head. His chin was strong.
His mouth sucky. I could hardly believe my luck.And here he was sitting beside me, legs apart.
I could bear it no longer. I touched the inside of his thigh.
His reply was to move closer. I trembled, my heart
Thumped and jumped as my fingers went to his fly.I opened a gap in the flap. I went in there.
I sought for a slit in the gripper shorts that had charge
Of the basket I asked for. I came to warm flesh then to hair.
I went on. I found what I hoped. I groped. It was large.He responded to my fondling in a charming, disarming way:
Without a word he unbuckled his belt while I felt.
And lolled back, stretching his legs. His pants fell away.
Carefully drawing it out, I beheld what I held.The circumcised head was a work of mastercraft
With perfectly beveled rim of unusual weight
And the friendliest red. Even relaxed, the shaft
Was of noble dimensions with the wrinkles that indicateSingular powers of extension. For a second or two,
It lay there inert, then suddenly stirred in my hand,
Then paused as if frightened or doubtful of what to do.
And then with a violent jerk began to expand.By soundless bounds it extended and distended, by quick
Great leaps it rose, it flushed, it rushed to its full size.
Nearly nine inches long and three inches thick,
A royal column, ineffably solemn and wise.I tested its length and strength with a manual squeeze.
I bunched my fingers and twirled them about the knob.
I stroked it from top to bottom. I got on my knees.
I lowered my head. I opened my mouth for the job.But he pushed me gently away. He bent down. He unlaced
His shoes. He removed his socks. Stood up. Shed
His pants altogether. Muscles in arms and waist
Rippled as he whipped his T-shirt over his head.I scanned his tan, enjoyed the contrast of brown
Trunk against white shorts taut around small
Hips. With a dig and a wriggle he peeled them down.
I tore off my clothes. He faced me, smiling. I saw all.The gorgeous organ stood stiffly and straightly out
With a slight flare upwards. At each beat of his heart it threw
An odd little nod my way. From the slot of the spout
Exuded a drop of transparent viscous goo.The lair of hair was fair, the grove of a young man,
A tangle of curls and whorls, luxuriant but couth.
Except for a spur of golden hairs that fan
To the neat navel, the rest of the belly was smooth.Well hung, slung from the fork of the muscular legs,
The firm vase of his sperm, like a bulging pear,
Cradling its handsome glands, two herculean eggs,
Swung as he came towards me, shameless, bare.We aligned mouths. We entwined. All act was clutch,
All fact contact, the attack and the interlock
Of tongues, the charms of arms. I shook at the touch
Of his fresh flesh, I rocked at the shock of his cock.Straddling my legs a little I inserted his divine
Person between and closed on it tight as I could.
The upright warmth of his belly lay all along mine.
Nude, glued together for a minute, we stood.I stroked the lobes of his ears, the back of his head
And the broad shoulders. I took bold hold of the compact
Globes of his bottom. We tottered. He fell on the bed.
Lips parted, eyes closed, he lay there, ripe for the act.Mad to be had, to be felt and smelled. My lips
Explored the adorable masculine tits. My eyes
Assessed the chest. I caressed the athletic hips
And the slim limbs. I approved the grooves of the thighs.I hugged, I snuggled into an armpit. I sniffed
The subtle whiff of its tuft. I lapped up the taste
Of its hot hollow. My fingers began to drift
On a trek of inspection, a leisurely tour of the waist.Downward in narrowing circles they playfully strayed.
Encroached on his privates like poachers, approached the prick,
But teasingly swerved, retreated from meeting. It betrayed
Its pleading need by a pretty imploring kick."Shall I rim you?" I whispered. He shifted his limbs in assent.
Turned on his side and opened his legs, let me pass
To the dark parts behind. I kissed as I went
The great thick cord that ran back from his balls to his arse.Prying the buttocks aside, I nosed my way in
Down the shaggy slopes. I came to the puckered goal.
It was quick to my licking. He pressed his crotch to my chin.
His thighs squirmed as my tongue wormed in his hole.His sensations yearned for consummation. He untucked
His legs and lay panting, hot as a teen-age boy.
Naked, enlarged, charged, aching to get sucked,
Clawing the sheet, all his pores open to joy.I inspected his erection. I surveyed his parts with a stare
From scrotum level. Sighting along the underside
Of his cock, I looked through the forest of pubic hair
To the range of the chest beyond rising lofty and wide.I admired the texture, the delicate wrinkles and the neat
Sutures of the capacious bag. I adored the grace
Of the male genitalia. I raised the delicious meat
Up to my mouth, brought the face of its hard-on to my face.Slipping my lips round the Byzantine dome of the head,
With the tip of my tongue I caressed the sensitive groove.
He thrilled to the trill. "That's lovely!" he hoarsely said.
"Go on! Go on!" Very slowly I started to move.Gently, intently, I slid to the massive base
Of his tower of power, paused there a moment down
In the warm moist thicket, then began to retrace
Inch by inch the smooth way to the throbbing crown.Indwelling excitements swelled at delights to come
As I descended and ascended those thick distended walls.
I grasped his root between left forefinger and thumb
And with my right hand tickled his heavy voluminous balls.I plunged with a rhythmical lunge steady and slow,
And at every stroke made a corkscrew roll with my tongue.
His soul reeled in the feeling. He whimpered "Oh!"
As I tongued and squeezed and rolled and tickled and swung.Then I pressed on the spot where the groin is joined to the cock,
Slipped a finger into his arse and massaged him from inside.
The secret sluices of his juices began to unlock.
He melted into what he felt. "O Jesus!" he cried.Waves of immeasurable pleasures mounted his member in quick
Spasms. I lay still in the notch of his crotch inhaling his sweat.
His ring convulsed round my finger. Into me, rich and thick,
His hot spunk spouted in gouts, spurted in jet after jet.
Is Thomas Jane a glutton for punishment?
"The Punisher" star was busted early Monday morning in Central California on DUI charges, E! News has learned.
According to a...Once a week, Daily Intel takes a peek at what your friends and neighbors are doing behind doors left slightly ajar. Today, the 29-Year-Old Desperately in Love With a 19-Year-Old: Female, Bensonhurst, straight.
DAY ONE
10:30 a.m.: He calls me from work, and I ignore the call on purpose to seem not so interested. He's 19, and I'm 29. This is my tactic to keep him interested and wondering what I'm doing.
10:33 a.m.:: Two minutes later I feel stupid for not answering his call because I really want to hear his voice. I contemplate on whether to return his phone call, but don't.
5 p.m.: I return his call, knowing he's not going to answer because he is on the train coming home from work. I leave him a voice mail asking him to call me back when he hears this. I wish he would come over tonight, but he's very inconsistent.
10:30 p.m.: He has not called me back, I'm frustrated. Though we broke up a year ago, we usually see each other quite often; however it's not clear if he is my boyfriend once again. I'm still in love with him. I want him to come over so badly. Don't want to pressure him, because it's the reason we broke up in the first place. I begin to think, What do I do to keep him interested and wanting only me?
Midnight I text him to tell him that I'm thinking about him. He texts back, "Really? Why?" I send him a picture message of myself wearing a sexy white teddy. We engage in a brief text-message sex, and I hope this will entice him to come over. He texts me back to tell me I look really sexy, he hopes he can see it one day in person. That's it? Ugh!
12:01 a.m.: I go to bed disappointed and alone, so much for good phone sex.
DAY TWO
9:30 a.m.: He calls me from work. I answer this time. He asks what I'm doing later. I say I'm not sure, call me later.
8:41 p.m.: No call from him yet. Oh how frustrating.
10:30 p.m.: He calls me, finally, and asks if it's still okay for him to come over. Of course, I say yes after lying and telling him I'm just getting in so he wouldn't think I was by the phone waiting for his call all night. I was by the phone waiting for his call all night.
11:30 p.m.: I set up my apartment to seem as if I went out, throwing on a sexy red dress, sexy knee-high blacks boots. Coat and handbag thrown on the kitchen table.
11:32 p.m.: He arrives, looks at me, and asks me, "Where did you go looking like that?" I say out with a friend. He sits on the couch and pulls me over, lifts up my dress. He starts pulling my hair, spanking my ass, and telling how he doesn't like that I went out without him looking all sexy. Rough sex ensues and he sleeps over.
DAY THREE
10 a.m.: He calls me from work. I don't answer the call. He calls again. Again, I don't answer. I'm trying to pose a challenge.
10:30 a.m.: I'm on my laptop ordering him a pantygram to send to his job. This will make him get a hard-on and want to come straight home to me when he gets it. A pantygram, for those who don't know, is a very sexy heart-shaped pair of red panties in a black envelope with a message. My message is, "Hold these for me, keep them close to you, and if you want to see them on you know where to find me."
11 a.m.: He text me and asks why didn't I answer his call. He asks if he can come over later, cook for me, and maybe watch a movie. I say yes.
7 p.m.: He comes over. He is making me hamburgers. I hug him while he is trying cook. He takes one look at me, pushes me against the kitchen sink, pulls down my panties, raises my left leg so that it's on the sink and he does me from behind quickly.
7:15 p.m.: Those hamburgers were so good. Burnt, or shall I say "well done," but taste good anyway. So worth it, I tell you.
10 p.m.: We lie in bed together, watch a movie, cuddle, and fall asleep.
DAY FOUR
9 a.m.: I wake up and I can't stop thinking of him. He's already gone, and I want him so bad again.
10:12 a.m.: He calls me to find out how am I. I want to tell him that I need him, but I don't.
3 p.m.: Still thinking about him, I'm so horny and dying to see him. I
want to masturbate, but I don't because I don't want to lose the urge to have his big, hard penis instead of my blue Krystal Wabbit vibrator.
10 p.m.: I call and desperately ask him to please come over.
10:30 p.m.: He arrives, comes through the door and I jump on him. I tackle him down until I get him to fall down on the living-room floor; I give him a blow job that I notice made his toes curl. He then turns me over on all fours and does me doggy style on my living-room floor.
DAY FIVE
10:39 a.m.: We wake up together in bed. He has a morning hard-on and I of course want him again, so I get on him and ride him like a wild horse. He loves every minute, I can tell by crazy facial expressions and the moaning which guys hardly ever do.
11:30 a.m.: We are exhausted, and we start dozing off. He hugs me. Oh, how nice.
1:47 p.m.: Feeling rested, we go into the shower together, rub some of that wet platinum premium body glide which stays slick under water so he slides in and out with more ease from behind while my body is pushed up against the wet shower tiles.
8 p.m.: He asks me can he stay over. I say yes. Wow, what a great day, and I get to sleep with him again, yay!
DAY SIX
7:30 p.m.: Haven't heard from him all day since he left my apartment this morning. What is going on? And why can't I stop thinking about him?
8:14 p.m.: I am on my laptop, looking at porn on pornhub.com, and thinking how I love the way he touches my body, in a way that makes me melt. I want him, ooh!
Midnight: Still haven't heard from him. I go to bed hot, bothered and frustrated.
1 a.m.: He sends me a text message to say good night. That's all folks, can you believe it? Ugh!
DAY SEVEN
11 a.m.: He calls me and tells me that I am so crazy. He got the pantygram I sent to his job. He tells me he wants to see the panties on me.
11:15 a.m.: I'm so excited, the pantygram actually worked! Yay!
6 p.m.: He arrives. I model those sexy, red heart-shaped panties for him, and he goes wild. He rips them off me and throws me on my couch, puts my legs up against his chest, and begins to penetrate. Ooh wow! We didn't even make it to the bedroom.
11:38 p.m.: We cuddle, and I think, Oh, how I love him. We fall asleep.
Totals: Six acts of intercourse, one act of oral sex, three purposely missed phone calls, one act of porn surfing, and one pantygram.

Slimming!Photo Illustration: Getty Images, Retrofile/Getty
Images
Robert Verdi, 39, says he began craving a so-called mirdle, or man-girdle, recently after starting to develop a "muffin top." "I'm now at that weird age where I'm starting to have a little bit of a spare tire, that midsection squish," says Mr. Verdi, a New York stylist and TV personality. Feeling self-conscious while prepping for a recent date, Mr. Verdi took scissors to a pair of high-waisted women's Spanx so it fit him like an elongated tube-top beneath his fitted shirt and slacks. "I felt like I was wearing an Ace bandage, but I definitely looked flatter," he says.
And now men don't have to hide their Saint Patrick's Day beer guts with women's Spanx, as a whole slew of "mirdles" are on the market. Saks Fifth Avenue carries 2(x)ist spandex briefs and tank tops that have a trimming effect; upscale men's underwear line Andrew Christian makes the "Flashback Butt Lifting Technology Boxer" that perks up the rump by "up to an inch"; and Go Softwear will introduce "Waist Eliminator" underpants with a high waistband to hold the tummy in. Of course, in light of all this, Spanx is also considering a line for men. Gloria Steinem, you thought this day would never come.
Men Go for It By Any Name Besides Girdle [WSJ]
Earlier: Bra-lleluja! Spanx Bras Hide Back Fat

Jennifer Poon’s Pinwheel (detail) (2008).Image courtesy Claire Oliver Gallery.

Photo: Getty Images

Courtesy of Showtime
Hookups
Nothing but one sad, unsuccessful attempt at reconciliation sex. Jodi gets Bette onto the couch during a depressing breakup moment, but Bette can't go through with it and literally tosses her aside.
Processing
Alice and Tasha go apartment hunting, but their search only exacerbates the sudden race and class issues in their relationship. Tasha wants to go hang with her Long Beach friends; she can't afford a nice apartment! Alice also goes to tape another episode of The Look, where she exchanges intense glances with the awkward Aussie lesbian fashion designer on the show that day. Scenes from next week indicate this will unfortunately become a major plot point.
Despite the fact that Jenny and Nikki were fucking like bunnies last episode, when Nikki refuses to walk off set with Jenny in solidarity, Jenny declares her hot young actress girlfriend "dead to me" (if this means their hot sex scenes are kaput, this show will be dead to 80 percent of its viewers). Schecter spends the rest of the episode smoking a homemade bong with suddenly-a-pothead Shane, and, unless we're nuts, it looks like they may hook up in the near future (in which case the show will reclaim 30 percent of its departed viewers). Max pops in and is told he was right — Adele is a psycho. Let's pause for a moment to commemorate the first time somebody has taken Max seriously this season …
Kit finally finds a reason to break out that gun she procured several episodes ago: Dawn Dembo and her lover, Cindi, managed to buy a 51 percent stake of the Planet (Ivan, the tranny Kit used to date, sold his shares to the incredibly annoying duo). In a blind rage, Kit puts the gun in her sweater pocket — which doesn't seem very safe — and heads over to SheBar to enact revenge. She gets spotted by Cindi and retreats to the Planet, where she later finds Bette and Tina's toddler daughter, Angelica, with the gun in her tiny hands, freaks out, and dumps the gun in the trash. L Word lesson time! Guns are as dangerous as pointless story lines. Time to toss this one in the Dumpster before somebody gets hurt. —Chelsea Brady

Posting crazy-looking pictures of people always
makes us feel better.Photo: Patrick McMullan
Times Co. To Give Seats to Hedge Funds [NYT]
Earlier: Intel's coverage of Scott Galloway

Out of rehab, into underwearPhoto: Getty Images
Asked if the image of Mendes' two visits to rehab in February at the Utah-based Cirque Clinic where Lindsay Lohan and Kirsten Dunst have also checked in is expected to impact the campaign, Tom Murry, president and chief operating officer of Calvin Klein Inc., a division of Phillips-Van Heusen Corp., said, "No, it has not. We were already in one [fragrance] campaign when it [rehab] occurred and it did not affect our decision-making for the underwear campaign."
Perhaps Mendes's pre-rehab image — she isn't known for boozing it up on tables all night long, paparazzi car chases, or flashing body parts — has something to do with it. Maybe young Hollywood could learn a lesson from the quiet, classy way she's handled a rather personal matter.
And we've gotta say, we'll be glad to see a lady with curves sell some skivvies (as will some boyfriends, no doubt).
In Love With Eva: Mendes to Be Calvin Klein Underwear's Face [WWD]
Related: Eva Mendes Gets Out of Rehab and Gets Sweaters

You always suspected there wasn't something quite right about him…Image courtesy of BNC PR
• Kutcher came up with the cover concept while watching a Gatorade commercial. “I was watching one of those Gatorade commercials where they had a guy on a treadmill, and they’re testing to see what his physical abilities are. I had this idea: What did the creator — God or whatever — make you for? Maybe we’re all doing exactly what we’re supposed to be doing, and we’re all actually robots."
• Despite what birth certificates may say, he doesn’t believe he’s with an older woman. “I don’t believe that souls have an age. I honestly never think about it. If it wasn’t shoved in my face on a daily basis by magazines or people asking questions like this, I don’t think I would even have an awareness of it."
• Kutcher's still knee-deep in Kabbalah. “It’s not like a religion. It’s not something you join, it’s not a club. So the notion of leaving or going — it doesn’t really have that. It’s a personal choice. That’s a complicated answer; the real answer is that no, I haven’t defected. I haven’t had the chip uninstalled." There's a chip? We're noticing a theme here. —Kendall Herbst

Behold: the Bra-llelujahPhoto: Courtesy of Spanx
So what's so special about the Bra-llelujah? It's made of the same nylon stretch fabric as the control-top panty hose but has special straps to flatten back fat. Yes, that's right: no more muffin back. The bras come in two styles and retail for $62. So they're not the sexiest-looking bust supports, but if it puts our lumps in the right places, we'll take it.
Now if only Spanx made jeans…
Spanx Shouts Bra-llelujah With New Launch [WWD]

Look deep into my eyes.Photo: Getty
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